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 Style, you either have it or you don't. And if you have it, you have it all the time.

The Rogue's Gambit

by Tux Toledo


I had no idea how the stone bird had become nestled in the pocket of my Barber Pennine shooting jacket.

"It's Moche, sir." James said.  He studied the small piece of sculpture and then handed it back to me.  "It's from between the first and eighth century A.D."

The bird about six inches tall with turquoise eyes and roughly carved wings.  It looked fragile and indestructible at the same time.

"So it's South American," I said.

"Peruvian to be exact," he elucidated.

"Is it authentic?"

"Very," he said.

I studied the bird more closely.

"James, isn't it illegal to export antiquities out of Peru?"

"It is, sir."

I put the bird down and stared out the window.  It was a typical Tuesday in San Francisco's Marina District.  A sea wind marched down Cervantes Street and swirled through the gates protecting the affluent yards facing the harbor.

"Then I wonder how this bird found its way to California?" I asked.

"There are always ways, sir.  Sometimes they are shipped from Peru to Bolivia where they are coated in clay and stamped 'Made in Bolivia'.  They are then shipped to North America or Europe as cheap Bolivian pottery.  Upon arrival the clay coating is removed and..."

"Voila', a genuine Peruvian antiquity ready for someone's private collection.  Very clever."

"Indeed, sir."


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© 2008 David Biagini